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Emmanuel Chabrier, Espana, Rhapsody for Orchestra
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EspaÃ±a, rhapsody for orchestra is the most famous orchestral composition by the French composer Emmanuel Chabrier. Written in 1883 after the composer had taken a trip to Spain, it was dedicated to the conductor Charles Lamoureux, who conducted the first public performance on 4 November 1883, at the ThÃ©Ã¢tre du ChÃ¢teau dâEau for the SociÃ©tÃ© des Nouveaux Concerts in Paris.
From July to December 1882 Chabrier and his wife toured Spain, taking in San Sebastian, Burgos, Toledo, Seville, Granada, MÃ¡laga, CÃ¡diz, Cordoba, Valencia, Saragossa and Barcelona. His letters written during his travels are full of good humour, keen observation and his reactions to the music and dance he came across â and demonstrate his genuine literary gift.
In a letter to Edouard MoullÃ© (a long-time musician friend of Chabrier, himself interested in folk music of Normandy and Spain), the composer details his researches into regional dance forms, giving notated musical examples.
A later letter to Lamoureux, from Cadiz, dated 25 October (in Spanish) has Chabrier writing that on his return to Paris he would compose an 'extraordinary fantasia' which would incite the audience to a pitch of excitement, and that even Lamoureux would be obliged to hug the orchestral leader in his arms, so voluptuous would be his melodies.
Although at first Chabrier worked on the piece for piano duet, this evolved into a work for full orchestra. Composed between January and August 1883, it was originally called Jota but this became EspaÃ±a in October 1883.
Encored at its first performance, and received well by the critics, it sealed Chabrier's fame overnight. The work was praised by Lecocq, Duparc, Hahn, de Falla (who did not think any Spanish composer had succeeded in achieving so genuine a version of the jota) and even Mahler (who declared it to be "the start of modern music" to musicians of the New York Philharmonic). Chabrier more than once described it as "a piece in F and nothing more".
In popular culture, parts of EspaÃ±a feature prominently in the Waldteufel waltz 'EspaÃ±a' of 1886. In 1961 Roland Petit created a ballet entitled EspaÃ±a using the score of Emmanuel Chabrier; costumes were by Yves Saint Laurent.
After a short guitar-like introduction, the first theme appears low on muted trumpets, and recurs four times during the piece. This is followed by a flowing second theme (bassoons, horns, cellos). Bassoons introduce another idea ben giocoso, sempre con impeto after which instrumental sections take up a dialogue with another highly rhythmic theme.
After a return to the first theme, another flowing melody dolce espressivo on upper strings leads to a climax only broken by a marcato theme on trombones. Instrumental and thematic variants lead the piece to its ecstatic and joyous conclusion.
Chabrierâs EspaÃ±a inaugurated the vogue for hispanically-flavoured music which found further expression in Debussyâs IbÃ©ria and Ravelâs Rapsodie espagnole.
Emmanuel Chabrier has also made two transcriptions of EspaÃ±a: "Song for soprano and piano" and "Two pianos".
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Referans bilgisi: "Emmanuel Chabrier, Espana, Rhapsody for Orchestra", 2012 , Klasik Notları sitesi, http://www.klasiknotlari.com/tr/338/Emmanuel_Chabrier_Espana_Rhapsody_for_Orchestra.html
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